The aim of this chapter is to explore religious and political affiliations represented in the symbolic artifact of dress,1 specifically, a black suit as a site of multiple meanings in African Caribbean communities within the wider context and experience of diaspora.2 In this introductory section, I will sketch out the theoretical framework within which this particular case is considered.
|Title of host publication||Black Religion and Aesthetics|
|Subtitle of host publication||Religious Thought and Life in Africa and the African Diaspora|
|Publisher||Palgrave / MacMillan|
|Number of pages||17|
|Publication status||Published - 2009|