Abstract
Artist biographies contribute significantly to our knowledge and def inition of art in specific cities, countries, or regions. Through the inclusion and exclusion of artists, biographers shaped the understanding of artistic production in a place, and as such of local ‘style’ and the local ‘school of art’. The mobility and migration of artists—a ubiquitous phenomenon—poses a problem to the construction of the idea of local art. This paper explores the ways in which early modern Dutch biographers dealt with mobile and migrant artists. As I will argue, these biographers did not yet think in terms of a clearly delineated Dutch ‘school of art’ or ‘local style’ and, consequently, brought a more inclusive and f lexible approach to mobile artists.
| Original language | English |
|---|---|
| Title of host publication | Art and Its Geographies |
| Subtitle of host publication | Configuring Schools of Art in Europe (1550-1815) |
| Editors | Ingrid Vermeulen |
| Publisher | Routledge |
| Chapter | 5 |
| Pages | 127-146 |
| Number of pages | 20 |
| ISBN (Electronic) | 9789048553013, 9781040775059 |
| ISBN (Print) | 9789463728140 |
| DOIs | |
| Publication status | Published - 2024 |
Publication series
| Name | Visual and Material Culture, 1300-1700 |
|---|---|
| Publisher | Amsterdam University Press |
| Volume | 52 |
Bibliographical note
Publisher Copyright:© 2026, IGI Global Scientific Publishing. All rights reserved.
Keywords
- Artist biographies
- Dutch art
- Mobility of artists
- Seventeenth century
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