TY - JOUR
T1 - Convexity and the well-formedness of musical objects
AU - Honingh, Aline
AU - Bod, Rens
PY - 2005/11/1
Y1 - 2005/11/1
N2 - It is well known that subsets of the two-dimensional space 2 can represent prominent musical and music-theoretical objects such as scales, chords and chord vocabularies. It has been noted that the major and minor diatonic scale form convex subsets in this space. This triggers the question whether convexity is a more widespread concept in music. This article systematically investigates the convexity for a number of musical phenomena including scales, chords and (harmonic) reduction. It is hypothesised that the notion of convexity may be a covering concept of musical phenomena and possibly reflects other mathematical properties of these musical structures. Furthermore, convexity can be used in a pitch-spelling model.
AB - It is well known that subsets of the two-dimensional space 2 can represent prominent musical and music-theoretical objects such as scales, chords and chord vocabularies. It has been noted that the major and minor diatonic scale form convex subsets in this space. This triggers the question whether convexity is a more widespread concept in music. This article systematically investigates the convexity for a number of musical phenomena including scales, chords and (harmonic) reduction. It is hypothesised that the notion of convexity may be a covering concept of musical phenomena and possibly reflects other mathematical properties of these musical structures. Furthermore, convexity can be used in a pitch-spelling model.
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U2 - 10.1080/09298210500280612
DO - 10.1080/09298210500280612
M3 - Article
AN - SCOPUS:33745752818
SN - 0929-8215
VL - 34
SP - 293
EP - 303
JO - Journal of New Music Research
JF - Journal of New Music Research
IS - 3
ER -