Abstract
This epilogue considers creativity from three different perspectives: that of the producer of the expression, of the person paying attention to the expression (the attender) in the same context, and of any attender from a different time and place than that in which the expression was produced. These perspectives are considered in face-to-face interaction and contrasted with mediated interaction. Whether an expression is perceived as creative or not from one of these perspectives depends on what is in that person's scope of relevant behaviors. In addition, frame knowledge is considered in relation to viewing expressions as creative or not. Examples from the chapters in this volume illustrate how these various factors play out in relation to each other.
| Original language | English |
|---|---|
| Title of host publication | Time Representations in the Perspective of Human Creativity |
| Editors | Anna Piata, Adriana Gordejuela, Daniel Alcaraz Carrión |
| Place of Publication | Amsterdam/Philadelphia |
| Publisher | John Benjamins Publishing Company |
| Pages | 233-241 |
| Number of pages | 9 |
| ISBN (Electronic) | 9789027257413 |
| ISBN (Print) | 9789027211590 |
| DOIs | |
| Publication status | Published - 2022 |
Publication series
| Name | Human Cognitive Processing |
|---|---|
| Publisher | Jonh Benjamins Publishing Company |
| Volume | 75 |
| ISSN (Print) | 1387-6724 |
Bibliographical note
Publisher Copyright:© 2022 John Benjamins Publishing Company.
Keywords
- attender
- face-to-face interaction
- frames
- mediated interaction
- scope of relevant behaviors