Abstract
Presenting a case study of the Ghanaian charismatic-Pentecostal celebritypastor
Mensa Otabil, this article explores processes of marketing and mass
mediating charisma in the making of religious celebrity. In order to grasp
the convincing force of this ‘Man of God’, it moves beyond classical
Weberian and theological understandings of charisma by looking at styling,
marketing, and branding strategies. Thus analyzing ‘the making of’ religious
celebrity in the broader context of Ghana’s religious arena, the secular
celebrity scene, and global charismatic Christianity, it argues that while part
of the global charismatic movement with its jet set leaders and high tech
styling, Ghanaian charismatic celebrities are also rooted in traditional
modes of religious ‘celebrity’. Otabil’s charisma—or his fans’ and followers’
perception of his supernatural giftedness—derives largely from his being
(crafted as) a national and international star. Despite clear similarities to
‘secular’ stardom, the specificity of religious celebrity lies, in the case of
Ghanaian pastors, in how the contagious aura of celebrity connects to
traditional beliefs in the power of religious specialists. The religious authority
of African ‘Men of God’ such as Otabil thrives, I argue, on an embodied
fusion of the mass mediated and marketed charisma of modern celebrity
and the perceived power of traditional shrine priests as intermediaries
between the human and the spirit world. The magical aura of celebrity at
work in the transmission of Holy Spirit power through the ‘Man of God’ to
his followers is fragile though, perpetually challenged by the possible
visibility of ‘the making of’ threatening to undermine Otabil’s authenticity.
Mensa Otabil, this article explores processes of marketing and mass
mediating charisma in the making of religious celebrity. In order to grasp
the convincing force of this ‘Man of God’, it moves beyond classical
Weberian and theological understandings of charisma by looking at styling,
marketing, and branding strategies. Thus analyzing ‘the making of’ religious
celebrity in the broader context of Ghana’s religious arena, the secular
celebrity scene, and global charismatic Christianity, it argues that while part
of the global charismatic movement with its jet set leaders and high tech
styling, Ghanaian charismatic celebrities are also rooted in traditional
modes of religious ‘celebrity’. Otabil’s charisma—or his fans’ and followers’
perception of his supernatural giftedness—derives largely from his being
(crafted as) a national and international star. Despite clear similarities to
‘secular’ stardom, the specificity of religious celebrity lies, in the case of
Ghanaian pastors, in how the contagious aura of celebrity connects to
traditional beliefs in the power of religious specialists. The religious authority
of African ‘Men of God’ such as Otabil thrives, I argue, on an embodied
fusion of the mass mediated and marketed charisma of modern celebrity
and the perceived power of traditional shrine priests as intermediaries
between the human and the spirit world. The magical aura of celebrity at
work in the transmission of Holy Spirit power through the ‘Man of God’ to
his followers is fragile though, perpetually challenged by the possible
visibility of ‘the making of’ threatening to undermine Otabil’s authenticity.
Original language | English |
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Pages (from-to) | 231-253 |
Journal | Australian Religion Studies Review |
Volume | 24 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2011 |