Abstract
Previous studies of radical thinkers have brought us few examples of female radicals from the Low Countries, even if the seventeenth-century Dutch Republic was a hub for radical thought which offered a relatively female-friendly climate. In this article, we explore how new perspectives and modes of analysis, better adjusted to the restrictions and opportunities women experienced, make women’s radical thought visible. By doing so, we aim to present a more balanced perspective on what might count as female radical thought in the early modern Low Countries (1500–1800). Starting from the notion of “agency,” we analyze the life, work and relations of three Dutch authors, as well as representations of female radicalism in two literary works, in order to rebalance the notion of radicalism in a woman’s world. Anna Bijns, Meynarda Verboom and Margaretha van Dijk were not radically disruptive in the sense of operating completely outside of male-dominated domains. Instead, they gained agency by negotiating their position in patriarchal knowledge systems and by bending conventions within male-dominated networks so that their voices could be heard. To understand these voices, it is necessary to disconnect “being radical” from “the amount of disruption caused” by female agency.
Original language | English |
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Pages (from-to) | 51-71 |
Number of pages | 21 |
Journal | Intellectual History Review |
Volume | 31 |
Issue number | 1 |
Early online date | 4 Feb 2021 |
DOIs | |
Publication status | Published - 2021 |
Funding
Feike Dietz is an Assistant Professor Early Modern Dutch Literature at Utrecht University. Her current research focuses on how books for young people taught literacy and knowledge skills. She also participates in a project on knowledge representations in Dutch female writing (KNAW/UU/Max Planck Institute), and is one of the leaders of an interdisciplinary project on seventeenth-century Dutch language variation (funded by the Dutch Research Council).
Keywords
- agency
- Dutch literature
- radical thought
- the Low Countries
- Women’s writing