Abstract
In December 1961 the American Society of African Culture (AMSAC) organised a large music festival in Lagos, Nigeria. American celebrities such as Nina Simone, Langston Hughes, and Lionel Hampton went on AMSAC’s fully sponsored trip to strengthen African-American/African connections. The performances and AMSAC’s image-building will be examined through photographs of the Lagos festival. These photographs are records of staged acts – acts that were meant to generate positive images of Black America and to reinforce (unequal) power relations between Nigerians and (Black) Americans. The visit of the group provides an interesting case study on the intersecting histories of the Cold War, the American Civil Rights Movement and the decolonisation of the African continent.
Original language | English |
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Article number | 1 |
Pages (from-to) | 1-19 |
Number of pages | 20 |
Journal | Journal of Transatlantic Studies |
Volume | 16 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2018 |
Funding
This paper is part of Geerlings’s Ph.D. research, funded by the Netherlands Organization for Scientific Research (NWO).
Funders | Funder number |
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Netherlands Organization for Scientific Research | |
Nederlandse Organisatie voor Wetenschappelijk Onderzoek |
Keywords
- African American History
- Cold War
- Decolonisation
- Nigeria
- Performance