Pierre-Jean Mariette, enlightened art connoisseur and scholar of art history: Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristen Smentek, Farnham: Ashgate, 2014

Research output: Contribution to JournalBook/Film/Article reviewAcademic

Abstract

In her book Smentek brings back to life the rich scope of economic and scholarly activities and social ambitions employed by the art dealer and collector of European renown, Jean-Pierre Mariette (1694-1774). By concentrating on the various artistic media in which he was primarily involved, she each time singles out an aspect of Mariette’s expertise. Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. In spite of the diverse connections she here creates between artistic medium and expertise, Smentek makes abundantly clear that the scientific method of art connoisseurship was underlying the employment of all these artistic media, which favoured empirical analysis in the historical understanding of art. She thereby makes a highly convincing case of the ways in which Mariette’s practices changed the terms in which the artistic past was scrutinized. On this basis it seems only logical to further research the impact of Mariette’s practices on art-scholarly projects initiated elsewhere in Europe and the ways it contributed to the emergence of art history as a modern discipline.
Original languageEnglish
Pages (from-to)1-10
Number of pages10
JournalJournal of Art Historiography
Volume16
Issue numberJune 2017
Publication statusPublished - 2017

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Art
Farnham
Art History
Connoisseurs
Artistic Medium
Economics
Connoisseurship
Expertise
Printmaking
Art Dealer
Scientific Method
Art Collector
Renown
Engraving
Logic
Ambition

Cite this

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title = "Pierre-Jean Mariette, enlightened art connoisseur and scholar of art history: Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristen Smentek, Farnham: Ashgate, 2014",
abstract = "In her book Smentek brings back to life the rich scope of economic and scholarly activities and social ambitions employed by the art dealer and collector of European renown, Jean-Pierre Mariette (1694-1774). By concentrating on the various artistic media in which he was primarily involved, she each time singles out an aspect of Mariette’s expertise. Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. In spite of the diverse connections she here creates between artistic medium and expertise, Smentek makes abundantly clear that the scientific method of art connoisseurship was underlying the employment of all these artistic media, which favoured empirical analysis in the historical understanding of art. She thereby makes a highly convincing case of the ways in which Mariette’s practices changed the terms in which the artistic past was scrutinized. On this basis it seems only logical to further research the impact of Mariette’s practices on art-scholarly projects initiated elsewhere in Europe and the ways it contributed to the emergence of art history as a modern discipline.",
author = "I.R. Vermeulen",
year = "2017",
language = "English",
volume = "16",
pages = "1--10",
journal = "Journal of Art Historiography",
issn = "2042-4752",
publisher = "University of Birmingham, Department of Art History, Curating and Visual Studies",
number = "June 2017",

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T2 - Mariette and the Science of the Connoisseur in Eighteenth-Century Europe by Kristen Smentek, Farnham: Ashgate, 2014

AU - Vermeulen, I.R.

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N2 - In her book Smentek brings back to life the rich scope of economic and scholarly activities and social ambitions employed by the art dealer and collector of European renown, Jean-Pierre Mariette (1694-1774). By concentrating on the various artistic media in which he was primarily involved, she each time singles out an aspect of Mariette’s expertise. Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. In spite of the diverse connections she here creates between artistic medium and expertise, Smentek makes abundantly clear that the scientific method of art connoisseurship was underlying the employment of all these artistic media, which favoured empirical analysis in the historical understanding of art. She thereby makes a highly convincing case of the ways in which Mariette’s practices changed the terms in which the artistic past was scrutinized. On this basis it seems only logical to further research the impact of Mariette’s practices on art-scholarly projects initiated elsewhere in Europe and the ways it contributed to the emergence of art history as a modern discipline.

AB - In her book Smentek brings back to life the rich scope of economic and scholarly activities and social ambitions employed by the art dealer and collector of European renown, Jean-Pierre Mariette (1694-1774). By concentrating on the various artistic media in which he was primarily involved, she each time singles out an aspect of Mariette’s expertise. Economic and social shrewdness in the case of printmaking, the very core of his art connoisseurship in the case of drawing, and his art-historical scholarship in the case of gem engraving. In spite of the diverse connections she here creates between artistic medium and expertise, Smentek makes abundantly clear that the scientific method of art connoisseurship was underlying the employment of all these artistic media, which favoured empirical analysis in the historical understanding of art. She thereby makes a highly convincing case of the ways in which Mariette’s practices changed the terms in which the artistic past was scrutinized. On this basis it seems only logical to further research the impact of Mariette’s practices on art-scholarly projects initiated elsewhere in Europe and the ways it contributed to the emergence of art history as a modern discipline.

M3 - Book/Film/Article review

VL - 16

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EP - 10

JO - Journal of Art Historiography

JF - Journal of Art Historiography

SN - 2042-4752

IS - June 2017

ER -