Abstract
This article reflects on the various ways MARBLEPUBLIC (1991), an artists’ book-cum-exhibition by Fortuyn/O'Brien is concerned with the modes by which artworks are mediated: framed, reformatted, multiplied, and disseminated. By featuring computer-generated images of curated galleries, MARBLEPUBLIC challenges conventional definitions of sculpture, the exhibition, and the exhibition catalogue
| Original language | English |
|---|---|
| Pages (from-to) | 51-65 |
| Number of pages | 15 |
| Journal | Kunstlicht |
| Volume | 36 |
| Issue number | 1/2 |
| Publication status | Published - 2015 |
Keywords
- mediation
- art
- computer art
- new media
- artist's books
- contemporary art