@inbook{eb18c52c896c4ac0b73447497c0b9366,
title = "Setting the Table Anew. Queering the Lord{\textquoteright}s Supper in Contemporary Art",
abstract = "Mariecke van den Berg presents a case study of the possibilities for not merely accommodating the LGBTQ+ community within mainstream churches but of queering theological beliefs and liturgical practices ({\textquoteleft}Setting the Table Anew: Queering the Lord{\textquoteright}s Supper in Contemporary Art{\textquoteright}). She explores the queer potential of the exhibition Ecce Homo (1998)—and in particular the work The Last Supper—by Swedish photographer Elisabeth Ohlson. Van den Berg investigates the queer potential of The Last Supper by bringing into dialogue the {\textquoteleft}ordinary theology{\textquoteright} of the participants in the debate and queer theological insights that were developed in the two decades since the exhibition was first shown.",
keywords = "Queer, Art, Lord's Supper, Sweden, Ecce Homo, Elisabeth Ohlson Wallin, queer theology, eucharist",
author = "{van den Berg}, Mariecke",
year = "2018",
doi = "10.1007/978-3-319-70211-7_12",
language = "English",
isbn = "9783319702100",
series = "Genders and Sexualities in History (GSX)",
publisher = "Palgrave Macmillan",
pages = "227--248",
editor = "Chapman, {Mark D.} and Dominic Janes",
booktitle = "New Approaches in History and Theology to Same-Sex Love and Desire",
}