Abstract
This essay focuses on the aura of the letter. It discusses eight different incarnations of one sixteenth-century alphabet poem in manuscript and print, comparing the presentation of the initials at the beginning of each stanza to clarify the relationship between aura and bibliographic code. How is aura materialized in each of these versions, what changes -if any- do occur to the layout of the text, and how might they be explained? Answering these questions will shed light on sixteent-century views on the relation between form and content. I argue that the decorated versions of this poem either fit in with a larger, theological-poetical discourse on language and creation, or with a more pragmatic, educational discourse on penmanship. The plain versions, on the other hand, bear witness to a mind-set in which an elaborate layout is considered superfluous or even suspect, because it obscures the moral value of the text.
| Original language | English |
|---|---|
| Title of host publication | The Aura of the Word in the Early Age of Print (1450-1600) |
| Editors | S. Mareel, J. Buskirk |
| Place of Publication | New York and London |
| Publisher | Routledge |
| Pages | 151-179 |
| Number of pages | 29 |
| Publication status | Published - 2016 |
| Event | The Aura of the Word in the Early Age of Print (1450-1600) - London Duration: 13 Sept 2012 → 15 Sept 2012 |
Conference
| Conference | The Aura of the Word in the Early Age of Print (1450-1600) |
|---|---|
| Period | 13/09/12 → 15/09/12 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 4 Quality Education
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